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Virtual Reality. Interfacing Art, Games and Everyday Life
Rethinking Future Heritage
Absurdism
Annet Dekker. writes + talks
Annet Dekker. exhibitions + projects
from leaking to seeping
Dearest creature of the night
A Pataphysics of Data Centre Aesthetics
Refiguring the Digital Future: Navigating the Temporal-Spatial Web of Online Exhibitions
Curating Online: Art in Space and Time
Precarious Collections and Data Colonialism
Rolodex Propaganda Symposium
Doing Documentation @MAP - Media | Archive | Performance #14
The Spectre of Documentation
Glitch in computational space and time
Neural Magazine 1993–2023
Conserving and Presenting Digital Art: Using AI for conserving Digital Art
NODE: Curating the Digital
From digital curation to networked co-curating
The politics of access within archiving as artistic praxis
Refiguring "The Broken Timeline"
xCoAx 2023
Re: Thirst Trap Glitch GIF - Gretchen Andrew / Annet Dekker
Socio-technical care through co-constituted practices
Caring through Networked Tinkering
Valiz 2028 to 2100
“Please put it somewhere safe”
NFT, or a poetics of Non-Fixed Time
Perceiving the Imperceptible. Mónica Alcázar-Duarte – Second Nature
Documenting Digital Art: insights for artists, audiences, cultural organisations, and policymakers, including a step-by-step guide for organisations Doing Documentation
Curating online: space & time
Archival Absurdity, or a walk in the park
Seeing Double: Documenting mixed reality in the museum and beyond
From documentary to generative preservation
Documentation as Art: Expanded Digital Practices
Care as transdisciplinary concept
Precarious Data Aesthetics. An Exploration of Tactics, Tricksters and Idiocy in Data
Revisiting Dutch Video Art from the 70s
The tension between static documentation and dynamic art
The Broken Timeline @ distant.gallery @ ZKM
Stuck on the Platform: A Night of Raving Against the Internet
The Networked Image in Post Digital Culture
Virtual SARBICA International Symposium
Digital Culture and Art Museums
SUSTAINING ART: People, Practice, Planet in Contemporary Art Conservation
Curatorial Perspectives on Collecting Time-based Media Art
Dutch Digital Art Canon
The Broken Timeline @ distant.gallery @ museums without walls
Art and Obsolescence Podcast #43
The networked image: addressing the paradox in documentation
The Qualities and Significance of Documentation
“Designing the unexpected” – – – ambiguity and net art
Networks of Care. Types, Challenges and Potentialities
Archiving Performance: Between Artistic Poetics and Institutional Policies
The Broken Timeline @ distant.gallery
Fake News - Medienkultur A-Z
Hybrid Infinities
Contemporary Curating: Radical, Digital, Diverse Online conference on contemporary curating
The Politics of Glitch in Photography. From spirit to noise and precarious aesthetics
Art, Museums and Digital Cultures → Rethinking Change
The Unbearable Lightness of Digital Art
Curating on the web: Interfering with the assumptions of networked platforms and interfaces
Digital Materialities
Images in Limbo: ‘Compositioning' Photographic Debris in the 'Climate Regime'
Art experience through the lens of documentation
How to Do Curating with Digital Art
Witte Rook, Entrepot: Annet Dekker
Online Dating with a Twist
The Work of Art Without Original
Vulnerable archives
Curating Digital Art. From Presenting and Collecting Digital Art to Networked Co-curation
The Work of Art in an Age of Audience Documentation
In Search of Sustainable Care for Digital Art
Central Park Archives - streams from Maunula House
Calculating Control: (Net)Art and Cybernetics
The Art >and care< of Curating Online
Fix My Code
Imageability. Telling stories in images
How fickle digital preservation practices are failing sustainability efforts
Archival Futures. Born-Digital Architecture media
O Paradoxo Da Sustentabilidade Digital
Transformation Digital Art 2021
Between Camera & Network: Art and Documentation in Post-Photographic Culture
Annette Wolfsberger
Networked art practice after digital preservation
Connecting the Archives
Precarious data aesthetics. An exploration of tactics, tricksters and idiocy in data
Archival Absurdities, or a walk in the park
Location, location, location!
Documentation of Digital Art
Curating Data: care, commons, networks
A Critical History of Media Art in the Netherlands
Modern Art: Who Shares?
Archives imaginaires - en de Inspectie Overheidsinformatie en Erfgoed
Curating Documentation #2
MAPS2020 THE DEAD WEB – THE END
Taferelen #33 – Networked Memory
UNFOLD: Audience/Performer/Mirror
Calm technology: Olia Lialina, David Benque & Cristina Cochior
Curating Documentation #1
Imageability today. Telling stories in images
Michelle Caswell, Our Views and Their Power: Acknowledging Our Positions in Archival Appraisal
Curating Social Media
Nothing to Hide, Nothing to Fear
The Good, the Bad and the Playful Fake
Capturing Digital Art and Performance
Book presentation: Collecting and Conserving Net Art
AHRC research grant: Documenting digital art. Re-thinking histories and practices of documentation in the museum and beyond
Preservation of Net Art through ‘Networks of Care’: Challenges and Potentials
Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation
Digital Art through the Looking Glass
Archiving Complex Digital Artworks
Digital sustainability: how to move beyond the oxymoron
Digital Canon of the Netherlands
The [dis]empowering of the like
A MEMÓRIA DO DIGITAL e outras questões das artes e museologia
Archiving (in) Processes
Collecting and Conserving Net Art. Moving Beyond Conventional Methods
Performing the Data Drive
VVITCHVVAVVE
Collecting as a Creative and Collaborative Process
Capturing online cultures, or storytelling as method
Acting in Contemporary Art Conservation
Archive of the Ephemeral. Thinking, Practicing, Networking
berlin - zentrum der netzkunst - damals und heute
Behind the Scenes of The Warp and Weft of Memory
Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations
A digital Babel: text, language & power
Performances, books and screens
Put Evaluation into Practice: The Collaborative Residency Life Cycle
(Re)Coding the Past for the Future
Archiving online cultures
Digital Art and Homo Documentator
Networks of Care, or Autonomous Archiving
Cultural Matter: on DeliNear.Info
Transformation Digital Art
Powers of online curating
Version Control and Archive Freedom
Photography after software
Subversive curating ... as if
Walidah Imarisha, The Liberated Archive
Other Futures. Exploring New Perspectives through Science Fiction
Fluid memory: Open Set Lab
The Networked Image Economy and the Automation of Culture
Collaborative archiving of digital art
Finissage: Collectively (Re)shaping the Archive
Techno-colonialism: digitization and trafficking cultural goods
Between light and dark archiving
Online community archives
Lost and Living in Archives @ HNI
Publishing and Exhibiting Online. Or, How to Create and Sustain a Performative Archive
Lost and Living (in) Archives
Machine Art in the Twentieth Century
Memories of the Future: Exploration into 1.000.000 Hours of Media Heritage
Relearn 2017: Versioning the Networked Archive
Ways of machine seeing
Trafficking of cultural goods: 3D modelling and digital colonialism
SAVE AS: ARCHIVING BORN-DIGITAL ARCHITECTURAL MATERIALS
New Archive Interpretations: Five Research Commissions
Interdisciplinary Discussions about the Conservation of Software-Based Art
David Garcia, Annet Dekker, Ian Alan Paul: As If: The Media Artist as Trickster / How Much Of This Is Fiction
Aymeric Mansoux and Marloes de Valk: What kind of archivist are you?
Net art and the need for an expanded practice of conservation
Vox Populi and The Syrian Archive. Documenting revolution and conflict in the digital age
How much of this is fiction / As If: The Media Artist as Trickster
Code is text, Code as text
Preserving the social dynamics of net art
The (un)bearable lightness of digital archiving
Digital Marginalia
Fragile Permanence. Moving between objects and networked processes
George Oates: The Need for Human Intervention
Online archives, or systems of fragmentation, multiplicity and speculation
Erica Scourti: Archiving our (Dark) Lives
Olia Lialina: My Boyfriend Came Back From The War. online since 1996
Documentation and re-interpretation of ‘This page contains...’ by JODI
Dialogue between Constant Dullaart and Annet Dekker
ALGORITHMIC RUBBISH, APE MATTERS and THE ANIMATED DINOSAURS OF HOLLYWOOD I Bots, Bodies, Beasts
What We Talk About When We Talk About Online Cultures
Shifting from Storage to Dynamic Circulation
Is the web changing video art? Or, the influence of networked environments
Harm van den Dorpel: Choosing Complexity
The Paradise of Big Data
The Archive: from Memories of the Past to Predictions of the Future
The Centre of the Study of the Networked Image
Networked Images: Art, Photography & Technology
How to Do Art With Networks
Right Here, Right Now @ The Lowry, Salford (UK)
The Challenge of Open Source for Conservation
No Internet, No Art. A Lunch Bytes Anthology
It's New! The archives of MVRDV and Zaha Hadid Architects
The Homo Documentator - expanding documentation in the arts
Embracing Authenticity in Net Art
Algorithmic Rubbish: Daring to Defy Misfortune
Virtualizing John Gerrard’s “Sow Farm” (2009), or not? (co-author Patricia Falcão)
WTi 2.0 - Wasting time on the Internet
New Collecting - Curating after New Media
Authenticity in the post-digital age
Template: The creative promise and open collections
An exploration of significance and dependency in the conservation of software-based artworks
Share This! Art and social networks
Enabling the Future, or How to Survive FOREVER
Annet Dekker. bio + cv
Richard Vijgen: A landscape of boxes, or the archive as digital playground
The museum archive: from managing and storing memories to predicting the future
Re-collecting the Museum
Possible Futures / Futuros Possíveis
Jonas Lund: Studio Practice
Assembling traces, or the conservation of net art
A Fun Aesthetic and Art
Is Digitale Kunst een Nieuwe Hype?
La Société Anonyme: The SKOR Codex launched into the future
Jonas Lund: The Absurdity of Art Speak, Art Worlds, and what we can learn from Big Data
The Future Is Not What It Used To Be
Vertical Cinema at IFFR 2014
Jan Robert Leegte: A quest for silence and bewilderment in Minecraft’s vast expanses
FREE?! A one-day journey into the cultures of sharing
Curating Your Memory
Proud To Be Your Version 1 & 2
F.A.T. GOLD Europe Five Years of Free Art & Technology
Speculative Scenarios, or what will happen to digital art in the (near) future?
The CD-ROM Cabinet after 6 months...
Eleanor Greenhalgh: Being in the uncomfortable middle and the continued need for physical space
Foundland: Critical Stories
Call for Participation Sonic Acts Masterclasses
Digimag: Transnational Collaborative Artists in Residency Programmes
Conversations with Curators
Silvio Lorusso: e_PERMANENT #02
a new tumblr
Femke Herregraven: Glass houses, Roman numerals and shady worlds -- Taxodus
The Dark Universe: Sonic Acts 2013
CD-ROM Hackathon by Ben Fino-Radin
Mozilla and Eyebeam: Open Call for Open(Art)
Paraphrasing Babel
Collecting and Presenting Born-Digital Art
The Value of Openness
Kontraste 2012 - Electric Shadows
Esther Polak: Kunnen GPS-data mensen ontroeren?
La Société Anonyme: The SKOR Codex
NetArtWorks: Online Archives
Michael Murtaugh: Portable SKOR
Shu Lea Cheang: Composting the Net
Art Platforms and Cultural Production on the Internet
AIR: The City Talks
Metahaven: Cloud Coins
AIR: City Velocities - Body Speeds
Documenting Internet-based Art: The Dullaart-Sakrowski Method
Post-Internet Art
Linda Hilfling: Restrictions and Reservations, Examining National Public Domains
YOHA: Data Entry
YOHA: Starting to talk about databases
Dutch Culture Cuts: a compilation of discussions on mailinglists
Born Digital Art Challenges Preservation
Petition against new cultural policy in the Netherlands
Response New Media and Art Institutions to Govermental Cuts - Source of innovation is eliminated
Dramatic cuts for culture in the Netherlands
Lernert & Sander: Data is the New Narrative
Martine Neddam: How to be Pink and Conceptual at the Same Time
Heath Bunting: The world of an administrative content provider
AIR: We Are Forests
Heath Bunting: Natural and Artificial Identities, or The Ease of Interaction
NetArtWorks: The Database, the Datacloud, and the Public (Data) Domain
NetArtWorks: Identity Works
Virtueel Platform Research | ARCHIVING THE DIGITAL
Clickable Art, or, what does participation mean?
Nancy Proctor: The Spectator in a Discriminating Role | On the Mobile Museum
BLOG: We Are Forests
Virtueel Platform Research | BLAST THEORY
The End of the Media Lab as We Know It
Arnolfini, Bristol (UK) Fun with Software
Fun and Software
Documenteren en archiveren in een digitaal tijdperk
Funware Conference Programme
Rhizome: interview with Olga Goriunova, curator of Funware
The Art of Platforms
Projects and research (independent)
MUTE: Fun with Software
AIR: Naked on Pluto
Funware at MU in Eindhoven
About
Colophon
AIR: Sensitive to Pleasure
BLOG: Sensitive to Pleasure
ARCHIVE 2020 sustainable archiving of born - digital cultural content
Versions
VERSIONS AND THE COMMENT AS MEDIUM : three interviews
Walled Garden
VFC_Berlin
Virtueel Platform Research | The Patching Zone
Esther Polak: Traversing The Route, From MediaMarkt to Cameroom
Virtual Person by Martine Neddam
e-art
Tiffany Holmes: The fight against climate change takes effect through creative design and green consumerism
Art Mediated by Technology
Yolande Harris: A Journey Through Sound
Navigating the Space of the Future
Igor Stromajer: The Netherlands is respectful. Russia is corrupt.
Jaromil: TBT [Time Based Text]
AIR: Elfriendo
Daan Roosegaarde: In search of Nature 2.0
Richard Rogers: The politics of association on display
Tea Mäkipää: Claiming bio-diversity
Dominik Bartkowski: Bareback
Video Vortex 2
Video Vortex 2 – Workspace
Video Vortex 1
Video Vortex 1 – Launch of FLOSS Manuals
Video Vortex 1 – Mobile Art
Symposium (in)visible technologies
(in)visible sounds
Seminar (in)visible technology
AIR: Aymeric Mansoux and Marloes de Valk
Silke Wawro: Parasitaeres Verhalten als Vorslag zum Umgang mit Ueberangebot und Massenproduktion.
Sonia Cillari: Space Is Body Centered
AIR: Usman Haque and Rob Davis
Credibility and Certainty: 9/11 Conspiracy Theories
Faith in Exposure
AiR: Govcom.org, A Thousand Dinners A Night: Amongst the Issue Celebrities
Natural Habitat
Machinima Salon
AiR: Duin 4.0
AiR: Blender, Elephants Dream
5 Days Off Media
Dutch Installation Art
Craftsmanship = Mastery
Moving Targets
World Wide Wrong
World Wide Wrong – JODI
Resonance
Woody Vasulka Improvises
Visual Sounds
Wonderwall
Optimize!
Visual Sensations
Further Stories
My Story
759.987,20 Euro
My Story – Interview Artists
My Story – Stories Visualized
Optical Illusion
Echigo-Tsumari Art Triennial
RGB - VJ/DJ FESTIVAL
Marina Abramovic – Videoworks
Spatial Media Special
Hurt Models
The Pleasure of Language
Are You Experienced
Blast Theory | NIMk
DIALOGUE
Hybrid Life Forms - Robyn Stacey
Hybrid Life Forms
Canadian Media Art
sHe'll survive
Silke Wawro: Volksware
Over_Game
Lazy Marie : Circus Maximus
M/F on TV Reflections on Image Fragments
Een Keuze
crime watch I
1 month ago
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